Альбом
Sherlock Holmes Meets Dr Who
Тип альбома:
Студийный альбом
Год выпуска:
1999
Автор (персона):
Продюсер:
Лейбл:
Треклист
A Sherlock Holmes Suite, op. 81: I. 'March: The Game's Afoot!'
A Sherlock Holmes Suite, op. 81: II. 'Baker Street Conversation (Dr Watson and Mrs Hudson)'
A Sherlock Holmes Suite, op. 81: III. 'Porky Johnson & The Baker Street Irregulars'
A Sherlock Holmes Suite, op. 81: IV. 'Scenes from Holmes' London (An Opium Den in Limehouse & A German Street Band)'
A Sherlock Holmes Suite, op. 81: V. 'Professional Colleagues (Leverton of Pinkerton's Detective Agency, USA & Inspectors Gregson, Lestrade & Athelney Jones of Scotland Yard)'
A Sherlock Holmes Suite, op. 81: VI. 'Professor Moriarty - 'The Napoleon of Crime' (Hansom Cab Chase)'
A Sherlock Holmes Suite, op. 81: VII. 'Finale: Victoria Triumphans!'
Pasticheries (non-Boulangerie) for Brass Quintet, op. 82: I. 'The Return of Bulgy Gogo - Ragtime (a tribute to Peter Warlock)'
Pasticheries (non-Boulangerie) for Brass Quintet, op. 82: II. 'The Velvet Gentleman - à la brossienne (a tribute to Erik Satie)'
Pasticheries (non-Boulangerie) for Brass Quintet, op. 82: III. 'Up the Faringdon Road! - valse brilliantine (a tribute to Lord Berners)'
Sweet and Sour Rag, op. 85
Hark! The Merry Gentleman, op. 90
Eilgut-Galopp (La Grand Vitesse), op. 146
Silurian Suite, op. 102: I. 'In the Caves'
Silurian Suite, op. 102: II. 'A Close Encounter'
Silurian Suite, op. 102: III. 'March: The Brigadier'
Vogan Suite, op. 101: I. 'Deep Space'
Vogan Suite, op. 101: II. 'Vogan March'
Vogan Suite, op. 101: III. ''All's Well... that ends well!''
Dalek Suite, op. 103: I. 'A Desolate Landscape'
Dalek Suite, op. 103: II. 'Chants & Variants'
Dalek Suite, op. 103: III. 'Dalek 'March' & Retreat'
Six Epigrams, op. 7: I. 'Idyll'
Six Epigrams, op. 7: II. 'March'
Six Epigrams, op. 7: III. 'Blues'
Six Epigrams, op. 7: IV. 'Scherzo'
Six Epigrams, op. 7: V. 'Homage to Czerny'
Six Epigrams, op. 7: VI. 'Echoes'
In Memorium Scott Fitzgerald, op. 60
Mock Joplin, op. 69
Saxe Blue, op. 65
Captain Bowsprit's Blues, op. 28
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